The Audiolab Q is an audiophile standard Pre-Amplifier with quality of components and build quality never before seen ona unit of this price. In stark contrast, the Audiolab Q pre amplifier and Audiolab P power amplifier were designed by Audiolab utilising years of. Bought a audiolab combo q+p at € + to replace my burnt out Musical Fidelity A2 after a lot of auditioning and comparing (see similar products) in.

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How about the front panel? Hi Mike, thanks for your quick reply. The grounding post triggers premature hopes.

Good pre-amplifiers are few and far between in the audiophile world. Liberated from bass excess, the midrange played neutral and factual in the best sense of the words, thereby rendering the entire affair far more transparent and believable.

Audiolab 8000Q Preamplifier Repair

Reliable and robust, the Audiolab Q has been a stalwart of the series. Which looks just as remotes used to look before recycled billy clubs became popular – black, simple, audoolab. Electric Guitar and amp. Email me when stock arrives. Any help would be greatly appreciated. Another view of the replaced parts Share this: Pro-Ject Debut Carbon Turntable.


6moons audio reviews: audiolab Q+M

If you fancy that, look elsewhere. Regular folks buy components, wire them up, curse once and. It is not available to the public easily. The audiolab combo was let loose on four different speakers: The control unit detects DC offset, power supply issues etc. Send to a friend. Dimensionally gifted already, you’d expect little gains there and the speakers’ tendency to harden up in the mids won’t find a charming antidote in these electronics.

And to fail brevity’s wit.

The audiolab virtues of neutrality, transparency and recreating the recorded venue stepped up big time with the Opus 3. The mechanical design and printed circuit layout are optimized to keep all signal path as short as possible. All images contained in this review are the property of fairaudio.

This is where the trouble was. I am based in Wellington, NZ. These electronics won’t turn a factual speaker into a playboy, rather get a full-figured one to start reasoning. Once the audiolabs took pride of place and the first track cued up, two folks were left scratching their balding scalps. In stark contrast, the Audiolab Q pre amplifier and Audiolab P power amplifier were designed by Audiolab utilising years of experience in making award winning amplifiers.


Two pre-outs invite biamping. Is it smart to opt for the more material-intensive separation in this class? Conversely, I can readily imagine that my ex, the Dynaudio Audience 80, would sit up and take notice with its powerful foundation but somewhat challenging load.

R99 extra, to almost any town in RSA. Tonally I can’t really find fault with these audiolabs. Sadly, I couldn’t confirm these ruminations but I’d be very surprised indeed if the exceptionally neutral audiolab combo and the staging chops of the monos wouldn’t benefit those speakers greatly.

A couple of the small electrolytic capacitors in the multiple regulated power supply sections showed signs of poor aging.